Costa Titch had big plans and big dreams. On Saturday night, however, fans of the South African rapper feared for the worst when he collapsed during a performance. Later, his family issued a statement on Instagram lamenting the tragic knock at their door. Police continue to probe the tragic death of 28-year-old. Tributes have been paid to him as they continue their investigation. BBC 1Xtra presenter Jeremiah Asiamah, who interviewed Costa Titch just weeks prior, expressed her sorrow over the passing. “Not just for fans of amapiano music,” he tells BBC Newsbeat, but for all who appreciate great music.” “His presence is contagious – just like his music!”

How did Costa Titch Died?

Videos posted to social media show Costa collapsing twice before falling off the stage during his performance at Ultra South Africa festival in Johannesburg. Organisers praised him as a beloved artist and “an inspiring voice in South Africa’s amapiano scene”. They expressed their sorrow over the sudden loss.

Contrary to what some have speculated online, no cause of death has been given. Local police say a post-mortem examination will determine the cause of death for Costa. His family has requested time and space as they try to make sense of what has befallen them while seeking closure.

Who was Costa Titch?

Costa Titch Born Constantinos Tsobanoglou, he began his career as a dancer before making an international breakthrough with his song Big Flexa in 2022. Last month, Akon announced a collaboration with his record label Konvict Kulture.

Rappers Swagger and Jeezy came together for a remix of the track that was named a ‘Rising Record’ on 1Xtra’s Rave Show. Costa stated on the show that despite its success, there are still many places around the world which haven’t heard about the record yet.

1Xtra host Jeremiah Asiamah predicts Costa Titch’s songs will now ‘hit even harder in the clubs’. Jeremiah believes Costa’s ambitions went far beyond just creating music.

“When speaking to me, he said to me ‘Big Flexa has done its thing. But I want to take it up a notch – show people I’m more than just a rapper or dancer; I am an accomplished musician’.”

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Jane Fonda, born to a famous father and mother who committed suicide, overcame an difficult childhood to achieve success as an actress and then greater meaning through activism. She won two Oscars in the 1970s, became a fitness guru in the 1980s, concentrated on nonprofit work during the 1990s, then returned to acting in 2005 with Grace & Frankie.

HBR: Did attending Emma Willard’s school, founded in 1960 by a champion of women’s rights, have any impact on your life? Did Mrs. Willard’s example inspire you to pursue similar pursuits?

Fonda: Attending an all-girls high school for four years–one that had high academic standards and amazing teachers–was a lifesaver during difficult times in my life.

Did the Fonda name help or hinder you during the early stages of your career?

My early years were spent in California, attending school with other children whose parents worked in the entertainment industry: producers, directors, heads of studio and cinematographers.

It wasn’t something that crossed my mind that my father was an actor – that fact never even crossed my mind! At 10, my family moved from the West Coast to the East Coast and I began feeling special due to how people treated me there.

This made me a little self-conscious at times. Some people wanted to be my friend because my father Henry Fonda; others didn’t think much of me due to that same connection. There were both good and bad in that relationship.

When I became an actress, having my father as a movie star was definitely an advantage–people paid more attention to me than if I were just another actress. Additionally, I wanted to ensure that I wasn’t getting parts just because I’m Henry Fonda’s daughter; thus, I worked harder and took four classes a week instead of taking one.

Due to some roles I had, however, they eventually fit into an established mold: nice girl next door. So when the opportunity presented itself for me to go abroad with Rene Clement for a movie project in France – away from home and away from all that shadow casting – I jumped at it with both feet.

Why did you select acting over activism?

At 30, I became an actress out of necessity; after being fired as a secretary and being told I was talented by Lee Strasberg [my acting coach], it seemed like the only option for me.

With everything else going on around me and being pregnant with twins, it made me especially susceptible to what’s going on around her. At that moment, however, it clicked that this life needed changing; that I needed to join forces in ending this war.

So leaving France where I lived with Roger Vadim and having one young daughter behind, I left everything behind and moved to America to become active in trying to bring peace into our world.

Did You Experience Sexism in Your Career?

Well, I wasn’t paid as much as my male costars and this left me feeling judged by how I looked for a long time. This was during the late 1950s and early 1960s, when objectification and sexism were commonplace in Hollywood; there wasn’t any sense that you could do anything about it – it just became part of life.

Directors would try to have sex with me before offering me a job but I would just laugh it off. It wasn’t until later on with the rise of women’s rights movements in America did things begin to change.

How did you select projects throughout your career?

At first, I was just thankful to receive offers. I felt very insecure and uncertain of myself. Coming up at the same time as Warren Beatty, he went into Hollywood saying, “These are the only directors I will work with,” and that inspired me to change direction – but only by doing something I never thought possible! I consider myself lucky if anyone wants to collaborate with me.

For years, the word “no” wasn’t part of my vocabulary – it took me 60 years to learn that it can be an entire sentence. For too long, though, I felt powerless; if someone offered me a role, I took it without question or hesitation. Unfortunately, this lack of agency led to dissatisfaction in my career; when someone offered me something new

How can you cultivate resilience during trying times?

I believe resilience is something you are born with, and for me personally it was something of a saving grace. Growing up, I could have easily gone down a dark hole but my resilience kept me alert to anyone offering love or teaching me something valuable.

Resilient people can turn their wounds into swords and ploughshares; they become the strongest and most powerful warriors for good; God comes to us through our scars, not awards or accolades. On average women tend to be more resilient than men in my experience; men seem more fragile overall.

War often begins as a result of frailty…

Globally, maleness is not toxic in itself – it’s the social manifestation of it we call “masculinity”. Without changing this dynamic, our species won’t survive as a viable entity. This isn’t mere rhetoric – this is real and the reason why the earth is being destroyed.

Men aren’t inherently evil; rather, they must constantly prove themselves worthy of respect. My understanding of the Vietnam War was further cemented when the Pentagon Papers emerged and later, Doris Kearns Goodwin’s biography of Lyndon Johnson: men felt threatened if they pulled out, even when presidents and their advisers knew we couldn’t win it.

That realization has never left me; I joke about calling it “premature evacuation,” but this is exactly the issue: men fear losing their masculinity if they leave early. This has always troubled me since then.

Which actors do you most admire?

There is a group of actresses that I consider to be at the pinnacle of brilliance: Meryl Streep, Annette Bening and Nicole Kidman. There are many others, but these three stand out for their ability to embodied the human being they portray; it’s no longer acting; they become that person.

That is what Lee Strasberg taught…

Well, yes! Sandy Meisner, Uta Hagen and Stella Adler were just some of the teachers who provided assistance to actors in learning techniques that would enable them to enter someone else’s reality.

Which character from all those you’ve played are you most proud of?

Bree Daniels in Klute and Gertie Nevels in The Dollmaker are two characters I am particularly proud of; both were hillbillies who lived a world apart from me – an experience for which I won an Emmy award. Through those characters, I worked tirelessly to enter their reality – both are incredible achievements in my opinion – as well as Klute itself.

What do you want to accomplish that you haven’t yet?

I dream of building a small cabin that is totally off the grid. It would have chickens, rabbits, my dogs and some peace and quiet. Ideally it would be high on a mountain with trees. And even though I doubt my writing abilities are that great, one day I hope to publish an impactful book–my last one–that will leave a legacy for future generations.

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